American soldiers
came home from World War II to expectations about the good life: a
decent-paying job, a wife and kids, a nice house. As The Man in the Gray Flannel Suit
opens eight years after the war's end, Army veteran Tom
Rath's wife, Betsy, wants a better house for their three-child family.
Tom obliges her by taking a higher-paying job in Manhattan as an
assistant to a television executive who wants to launch a campaign for
mental health services.
But Tom doesn't fit comfortably in the mold of the gray flannel
everyman. The work is inane, yet he's expected to be available at all
hours. Making matters worse, the elevator operator at the new office
building knows about Tom's wartime secret. He served in the Army with
Tom and married a relative of the Italian woman with whom Tom had an
affair and a child. Tom never told Betsy about the affair, or
about killing 17 men in combat, including his best friend.
Tom becomes disillusioned and apathetic but eventually resolves his
problems through honesty. His boss understands that Tom wants to work
normal hours and arranges another position for him. Betsy supports
Tom's decision to send child support to the mother and son in Italy.
Critics have faulted the ending for unrealistically easy solutions, but
author Sloan Wilson said the book was largely autobiographical, so
perhaps things really did happen as he wrote them. The ending aside, The Man in the Gray Flannel Suit
is a page-turning description of a dilemma that's as urgent today as a half-century ago and now has a name: work-life balance.
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